capitalist mafia.

Wednesday, September 26, 2007

the very first review of the new enright house album! which I'm on! and which will be my only artistic contribution for the next few years! or not!

Way to go, Mark Roberts

(from cheeseontoast.co.nz)

THE ENRIGHT HOUSE - A Maze and Amazement
(A Low Hum)
The other day, just as we were about to close up the shop, in walks this mysterious man carrying a package, neatly wrapped in waxy brown paper. "What's in the package?" I ask. "Why, it's some of the most innovative and beautiful music to emerge from these dark lands in many moons," replied the stranger. "You surely must be referring to the Enright House's new album, for I have just listened to that, and I must tell you I was taken aback by the melding of live and electronic instruments, morosely whispered vocals and all round eerie beauty of it all. Like Amusement Parks on Fire meets a gothic Mogwai, with a hint of glitchy click stuff. Oh yes, an impressive release indeed..." The man turned out to be a werewolf. The end. - MC

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Thursday, September 13, 2007

A few of my friends in New York get together every Monday at a sleazy Brooklyn bar named Capones for a pizza and karaoke night. I have been avoiding it since April, for several reasons, the most salient of which is: The Paradise City incident.

Flash back 4 years. It's senior year. I'm out with some Northwestern kids, we'er in Greektown, eating lamb, fried chicken, and avoiding the creepy guys that troll about the bars when it's suggested "OMG you guys, let's go to Koreatown and karaoke! It'll be awesome!"

I'm with Mary South, Gavin, Kat, a friend of Mary's (let's call her Kim because I can't remember her name), Mark, and myself. I know Mark was thinking of studying opera singing for a while, so he had a good voice, and Kim loved karaoke, but I assumed everyone else was as hapless as I was, and gladly agreed. So we all stuffed ourselves into a car, drove over to a sketchy part of the city, rented a room, and started going through the bilingual song list.
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I have always loved the movie "Can't Hardly Wait;" next to "She's All That" it was one of the best teen coming-of-age movies in the mid-nineties. There's a scene, in it, which is completely awesome. It is the scene where the nerdy kid gets up and karaoke's to G'n'R's "Paradise City" and completely owns it 110%, making him an instant smash at the party. It was so hilarious I was convinced that it would be equally as funny if I did it.
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I am reminded of the Paradise City Incident as I was looking through the Best Week Ever blog a few weeks ago. In their article "Top 10 Karaoke Songs to Avoid at All Costs" (which, by the way, I highly recommend you read if you have a minute), they list AS THEIR NUMBER 2 CHOICE:

2. Guns n’ Roses - “Paradise City”A flawless, across-the-board example of a textbook karaoke trap. It seems like a viable option, because everyone can get into G’n'R, plus the chorus is fun and easy for everyone to sing along to, but even the chorus gets pretty old by about the fourth repetition (out of thirty), to say nothing of the superfast verses which no one knows, the five instrumental breaks, and the total running time of nearly seven minutes, making for a crushing, “dear god, what have I done???” epiphany for the unfortunate soul who’s left bearing the microphone like a scarlet letter.


Truer words have never been spoken. Because as soon as we had plugged in our numbers to the karaoke machine, I was one of the last to go up. And it turned out, oh wow, nearly everyone I had gone with hd an amazing voice. Oh, did know one mention Gavin took voice lessons for musical theatre? Did it skip everyone's mind to mention Mary South had classical vocal training, and Kat had taken the few odd lesson as well? So right away, I'm beginning to panic. And then, then, I fall pray to the Paradise City Trap.
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Everything Best Week Ever says is true. For the first 30 seconds I'm belting out the chorus, having a fantastic time, and then the verse starts and I'm like, "Oh my gosh, I totally don't remember it being this fast and having this many words." And then after a minute of excrutiating fumbling, I get back to the chorus, which is awesome, I'm back on my game, but then it starts repeating over and over, and I feel sillier and sillier. Around minute 5 when all I'm doing is repeating "Take me down to the paradise city where the grass is green and the girls are pretty" I am completely horrified, a very strong "dear heavens what have I done?" moment.

I'm trying to couch myself out of this hole, because karaoke seems like a lot of fun, but everytime I think about signing up, I get a new panic. What if it's PCI all over again? I can't do it again. I CAN'T. Someone give me a good song to karaoke to--one that won't leave me paralyzd and out to dry. I can't keep being a social outcast forever.

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Tuesday, September 04, 2007

NZT 5:
The Happy Tedium of Cohabitation
We spent the majority of my last week in Christchurch with Mark's family. Mark's father was in town for the CAF, and whenever Mark's father is in town, mark is expected to "do his duty" to the family. Mark's father HR is a very old world sort of man--still wears cravats and believes there is a right sort of person and a wrong sort of person, believes in manners and tradition and breeding and all those fantastically classist institutions that we as Americans tend to believe are antiquated. I find his approach to living both exhausting and fabulous.
The first thing we did en masse was eat out at the Family Restaurant. Mark's uncle owns a farm/vineyard which has a very good restaurant on the premises, and HR invited us to eat one evening with Mark's grandfather and wife (Mark's step-grandmother). I talked to the grandmother about cruises, and the grandfather told us old war stories.

I guess I didn't embarrass myself too badly because HR called Mark the next day with an entire itinerary for the week. And because we were poor and wanted to be able to get out but lacked the resourced to do so, we agreed to almost all of them.

On Sunday HR got us tickets to see his pet project, the Christ's College Madrigal group. I haven't seen many small chorus performances, but these boys did a good job. It was an interesting cross section of Oxford/Eaton looking boys (though all of them were attending Oxford on musical scholarships)--or at the very least, what uppercrusty British Boys should look like. Thin necks, bespeckled, watery eyes, lacquered hair. The program was Victorian compositions paired with Victorian poetry. Some of it was quite good, though there were a bit too many odes to the pastoral for my sake.

Afterwards, Mark's dad took us to "the races". Horse racing is one of those things that combines the best and the worst of society; in Britain and New Zealand, it skews towards more refined, where in America it bends more towards the sleazy. Since HR was taking us, we had to roll with the big boys, which meant we had to stay in our cathedral clothes, make good conversation, and carry drinks about with us all the time. Luckily it was slightly more sunny than it had been, and it ended up being a pretty good day. I was up something like $20 by the end of it. I also had a chance to meet Mark's stepmother Dorothee, an impressively thin German opera singer with a broad, flat face and high cheekbones.

Afterwards Mark and I decided to counterbalance our day of high culture by seeing "Live Free or Die Hard." That movie was so awesomely ace I don't even know how to describe it. It was like, THE MOST AMERICAN MOVIE EVER MADE. Brawn over brains! Material reality trumps the Internet! French baddies! American flags! Explosions and national anthems! Cops as good guys! Excessive force and collateral damage used in the defense of family! I cannot convince enough people to see this movie--it's a fricking national treasure.

Other family events included a birthday lunch for Mark's Uncle, which was my first introduction to whitebait. Whitebait is like jellied eels--small baby fish that are harvested right after they hatch, when they look like transparent worms. You mix them with egg, form them into fritters, and fry them. I'm not really a seafood person, but whitebait are more freshwater item, so I enjoyed it more than I thought I would. THAT SAID there is something very disconcerting about seeing black spines and eyes looking up at you.

We took a break from the fam on Wednesday and went to Lyttleton, a shipping down over the mountains on the Pacific. I spent the entire busride over recounting the Scientology museum experience. Lyttleton was embarrassingly small--"downtown" was one street, 2 blocks, with 3 cafes, a bookstore, 2 corner shops, one high end furniture store, one hippie shop, and an art gallery. We had an excellent breakfast by the wall and attempted to visit the Timeball, a Victorian nautical clock of sorts, but after an exhausting hike up hill discovered it was closed for garden restoration. So we spent the rest of the afternoon eating cream cheese brownies and reading music magazines in a cafe.


On our way out of town we decided to go up the Christchurch Gondola and get a panorama of the Canterbury area. It was outrageously expensive, but Mark and I see each other so rarely anymore that we go into a temporary blindness about finance when together and splash out for ridiculous "experience" moments. The sun was out, the goats and sheep were eating anything that rustled, and it was exceptionally quiet.
Once up top, we went through the gift shop looking for the scenic deck only to find ourselves distracted by "the Time Tunnel" aka "The World's Gayest Ride." It was included in the price of the gondola, so Mark and I descended down into a dark room and jumped onto a cart not unlike those on Mr. Toad's Wild Ride. We headed into the tunnel, which was a journey through the different time periods of New Zealand history as narrated by a Child of the Corn, all dimpled and blond and strangely stiff. The whole ride was, at best, 3 minutes: The lava room, the Maori forest room, the english settler boat, the english front porch, and finally the Hall of Famous New Zealanders. It was creaky, boring, uninformative, and frankly a complete disaster. I was tickled by the sign on the way out though: Additional rides $4.

Because it's New Zealand, we left the gift shop and ducked past the "No Entry" chains in order to walk around the hillside. The employees saw us doing it too, which was the great thing. There's a sense of personal responsibility in that country I like, which America used to have. The idea that if you spill hot coffee on yourself, or if you drive off the road when there isn't a guardrail, well then it sucks to be you--you're an idiot. It isn't the goverment's job to pay you for your mistakes.

The hillside was definitely dangerous-there were steep cliffs on several sides that dropped hundreds of feet. The weather had taken a nasty turn, dark and windy and brutal cold, but Mark and I made the most of it, snapping photos of each other looking cold and wonderfully happy. Mark's photos of me, I confess, are much better than my photos of him. He is the only person I trust implicitly to photograph me--I look in his photographs the way I feel, the way I think I look. In Mark's photos I am sometimes a bit sad, sometimes happy, curious and full of wonder, pretty and strong, and (most importantly for a girl my height and weight) NOT FAT. It makes me terribly sad to be single when I look at those photographs.

The final night with Mark's clan was Thursday night. HR had worked with some of the Christchurch arts council to plan an "Opera with the Stars" event, where some famous New Zealanders would sing some famous arias in front of a famously old and rich crowd. Since Dorothee was a Kiwi by marriage, she was on the bill, and I had been anxious to see her sing for some time. HR was very kind to get us orchestra tickets--I had no idea how he swung that, they were absolutely smashing seats, and it will probably be another 20 years before i can afford seats like that again.
All the singers were quite extraordinary--I was especially fond of the bass singer who performed his Rossetti and Bizet arias with a real swagger and twinkle. He was young, very tall, very lithe and dashing, and when he broke out into his Carmen aria you could tell he was enjoying every moment of it. There was also a little tenor who looked like a penguin--I wasn't really feeling him for the first half, but in the second half he completely nailed his Puccini, and I was in tears, like I always am in Puccini arias. I'm a complete baby, I know--everyone gets misty over Puccini. There's no glory in being moved by Puccini.
Dorothee was very German: precise, technical, and beautiful in an icy, powerful sort of way. And yet despite her iron-and-ice voice, she was dressed in black velvet and pink taffeta. Interesting choice.
Afterwards we went to a cocktail party with free sandwiches and champagne. I mainlined orange juice and tried to keep Mark on his feet, as he was feeling feverish. After some very long speeches by various patrons, we kissed HR and Dorothee goodbye, and headed over to a seedier part of town for a goodbye party for Sarah. Mark was feeling too sick to stay long, so we made dinner plans for friday and kissed her goodbye.
Friday Mark was feeling better, so we went to a fudge cottage to watch the fudge making process. Free samples! We then went to a food court, which was inexplicably shut down by the police just as we had seated ourselves. We jogged across the street to McDonalds and had lunch there, where I spent at least 20 minutes crying about things I really don't want to blog about here. To his credit, Mark really stepped up--he didn't used to. He used to shut down completely when I would display emotion, especially if he felt the emotion to be out of proportion or irrational. I think we're both beginning to recognize the importance of small amounts of constrained emotion in a relationship.
This is how objectivists love with their tiny frozen hearts.
We met up with Sarah at a pizza joint which was inexplicably having a Redbull snowboarding competition in the back lot behind it. We kept pushing off an overly-friendly Jaggermeister reindeer as we waited for over an hour for a table.
Poor Sarah--it was her last night out with her friends, and all she wanted to do was stay inside (she had just broken up with her boyfriend). We tried to entertain her with old college stories. Most of the best, naturellement, involved Andrew Mason.
Mark's fever turned out to be chickenpox, so I spent my last days in Christchurch in Mark's apartment watching DVDs and making medicine runs. I didn't mind though. I just can't believe his mom never sent him over to a friend's house to get chicken pox--that's totally a rite of passage!

I was pretty devastated to leave Mark. Even though the religion thing has kept us from staying together romantically, we are committed to staying together. We care so much about the other that we are willing to put up with the pain and embarrassment of having to talk out all the problems that happen in situations like ours. He understands me so well, he is so good to me, he is such a genuine joy to be around, I am intensely thankful he is willing to make room for me in his life. I'm quite depressed not having him here--talking to him is such a joy, going to museums and going to movies is so effortless, without him I feel a huge absence. We're closer now than we've been in 3 or 4 years. It's like opening a door to the outside and having the wind push out the stale air.

I miss him so much.

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I'm not the one who coined the term "Marky". It was DaveChoate.

New Zealand Travelogue Part 4:
Art + Performance

The last 2 weeks of my New Zealand trip were very busy, a kind of sweet domestic puttering about that happens with cohabitation. Our first week back from the North Island, Mark and I were feeling a bit lonely that the adventure was over, so we stopped by the Christchurch aquarium. Since New Zealand is a land of birds, there aren't many fish, so the selection was mostly various galaxiids and trouts, with some sting rays and the odd shark thrown in for good measure. We came during the feeding hour, and had the surreal experience of watching a human being feed shelled oysters to angry crustaceans and grateful flat fish.

Strangely enough the aquarium had a "Kiwi Sanctuary" where you could see two Brown Spotted Kiwi hunting about in a faux-nighttime terrarium. You had to be super quiet while inside, as Kiwis have very sensitive ears. Looking at them, it's a marvel that Kiwis have survived in this day and age, because they are truly the most helpless looking creatures--like giant puffballs with beaks. They waddle around without power or speed--everything is just TERRIBLY cute.

We also caught the tail end of the Christchurch Arts Festival, catching a modern dance performance called "Moth" which mimicked the movements of Moths in shadow. The music was quite sporadic and very haunting, and the dancers had a very muscular quality I enjoyed. It's nice to be moved by art again--Mark always has a way of bringing out that sensitivity in me. Other art-related things we did that first week back: visit the Center of Contemporary Art (nice exhibit of resin hands), swung by the Christchurch Art Gallery to see Bill Hammond's "Jingle Jangle Morning" series (highly recommended--it's very primeval, but with a lot of artistry), worked on Mark's album, and played a concert for Mark's record label's DVD launch.

The DVD Launch was in conjunction with Camp A Low Hum, where the record label (A Low Hum) rents out a camp ground and books a bunch of bands for a 3 day festival, with arts and crafts, swimming, and activities for good measure. The Enright House performed at the 2007 Camp, so they were on the DVD, and Ian (the label head) asked them to play a concert following the screening. Since my voice is sampled on a couple of Enright House songs, Mark asked me if I'd like to perform some of my poetry live. I wrote down a new poem for him, the first one i've written in a few years, for the event.

In all honesty I was pretty close to throwing up with nervousness, as I hadn't done a reading in a while, and my writing is really rusty. But Mark gave me a lovely introduction that was terribly sweet, and the whole thing only lasted like, 1 minute, so it wasn't that big of a deal. In fact, I couldn't even find photos of my performance online it was so inconsequential. But Mark's friends said some sweet things to me afterwards, and we all stood in a knot for the rest of the evening, watching various US electroclash bands get up and work the crowd.

Mark's album was a big part of our time--in order to have it delivered to his house before his national tour (starting September 15), he had to send it off the Monday after we had gotten back. But seeing as Mark is a complete perfectionist when it comes to "doing a job right," that meant we had to scan and rescan photos, spend hours looking for the precise wallpaper pattern, tool that patter to the precise color, and triple check the font, layout, and color to make sure everything was JUST SO. In all seriousness though, I would rather be with someone who works hard at what they loved than someone who takes everything lightly, but still. It was a definite chunk of time. He did give me credit on the album though, for my contribution, a completely unexpected and sweet gesture.

And while we were in the flush of Enright House work, we also had Mark's friend Sarah come over and press buttons with us. Sarah wanted to make Misfit Mod (her new band) buttons, and Mark wanted to make around 50 Enright House buttons, so Sarah hauled over a button press and some lamenents and we went to work. It was a pretty good time--it reminded me of the time senior year when I used to come home and Brian Crotty would be on my floor pressing 1" Cuidado buttons with Adele.

Mark's friend Dan also wanted to film Mark for a "Scattering the Sun" video, so I got to watch the two of them shoot in Victoria Park. It was an excercise in enormous patience for Dan, as Mark was adament about not being in the video at any cost, and Dan was very insistant that Mark should be in it. I spent most of the time sitting on the sidelines readign about Britney's latest meltdown.

As a side note, Britney's meltdowns over the last 2 months have cost me a ton of money. Just when I swear that I will not by another trashy tabloid I'd be in a grocery store and there was Britney taking her clothes off on the beach, Britney freaking out at an OK magazine shoot, Britney firing another personal assistant. Then when I'd get sick of Britney, Lindsey Lohan gets arrested again, and Posh Spice gets photographed with terrifying thigh pitting. How can I NOT buy a tabloid with this stuff going on?
Any time that wasn't spent with the Enright House or doing artsy sorts of things was spent at various cafes. My favorite one was the Toilet Cafe, some sort of strange Japanese monstrosity that sat us on toilets instead of chairs and had rolls of toilet paper instead of napkins. They had very good smoothies and iced teas. You can see from this picture how much Mark enjoyed his.

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